Wednesday, April 18, 2012

In Praise of the Intensely Visual: Fishes, Birds and Artists, Oh My!

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If I had to define my mission as a gallery director and blogger about all things art-related, it would be to put the visual back into Visual Art. Rarely am I interested in conceptual art where the visual is secondary, non-existent, or in a state of forced servitude to an idea. It bores me senseless and even makes me angry. I also have little patience for bad drawing and painting. I don't want to be shocked, grossed out or repelled by overly-slick work. I want a heightened visual experience, well-crafted work that speaks to me viscerally, raises my consciousness or makes me see in a new way. I want to leave a museum or gallery with a sense of wonder and discovery, not the grumpy state I often find myself in. I want that feeling I used to get sitting for hours on the floor of the college library pouring through art books.

Now that I've put forth my manifesto, I want to talk about a book and a video that both fit the bill.

The book is Taschen's Tropical Fishes of the East Indies, a volume of natural history illustrations from the early eighteenth-century. The original drawings for this eye-popping catalog of marine fauna were made by Samuel Fallours, who was in the service of the Dutch East India Company. Fallours swore that all the original colored drawings were done from life and were faithful to nature -- even the mermaid! Lucky for us, Fallours was an imaginative artist with a bent toward the fantastic. Brilliant colors and fanciful flourishes make these images a triumph of science-meets-nature-meets-imagination.

57. Sorte d’Ican Svangi, Pterois antennata (Bloch, 1787), Spotfin Lionfish
    58. La None bardée d’Amboine, Pygoplites diacanthus (Boddaert, 1772), Regal Angelfish
    59. Rouger Piquet, Coris gaimard (Quoy & Gaimard, 1824), Yellowtail Coris
    60. Le Harang Rayé, Lutjanus bengalensis (Bloch, 1790), Bengal Snapper
    61. Petit poisson, Gomphosus varius (Lacepède, 1801), Bird Wrasse
Courtesy Taschen

The book itself in printed on heavy textured paper and faithfully reproduces an original manuscript down to the smudges and bleed-through from other pages. An accompanying booklet contains illuminating essays on the history of the plates as well as an appendix identifying each specimen. Buy this book for your collection! You won't be disappointed.

390. Femme de Mer, Syrene, ? Dugong dugon (Muller, 1776), Dugong
Courtesy Taschen
The Rememberers: Art & Memory
Los Angeles artist Lisa Adams' work also draws from nature -- fractured, impure, urban, twenty-first-century nature. Working from her studio in an industrial area of the city, Adams' has created her own wildlife sanctuary in the form of a window bird-feeder. Joe Santarromana uses it as a jumping off point for his beautiful video vignette of Adams, part of his series The Rememberers: Art & Memory.

Somewhat Related Animal Videos

I want to end with two video clips of nature's marvels. The first, Moonwalking Bird, shows the brilliantly colored male manakin bird strutting his stuff a la Michael Jackson! The second captures the first ever footage of the barreleye fish -- complete with transparent head.

Upcoming at Offramp Gallery
May 6 - June 3, 2012
Chuck Feesago: Retention

Opening Reception: Sunday, May 6, 2-5pm

May 6 - June 3, 2012
Opening Reception: Sunday, May 6, 2-5pm

June 24 - August 5, 2012
Lou Beach: Stories & Pictures
Opening Reception: Sunday, June 24, 2-5pm


  1. Jane, particularly love your blog this time...I agree that the intensely visual and well-crafted is such an eternal delight, enriching the eyes, the heart, and the soul!

  2. I really like this. My work also concentrates in drawing from nature!

  3. This is a wonderful post. Well written, right on point, and refreshing. And thank you very much for the intro to that book. Yummy.