Nothing could be further from the truth, but like everything else in Los Angeles, the cultural scene is spread out over a large geographical area and tends not to have a well-defined center. In her recently released L.A. Rising, SoCal Artists Before 1980, author Lyn Kienholz takes a big step forward in marking out a non-geographic center. L.A. Rising is an encyclopedia of 500 Southern California artists living and working in L.A. before 1980. Each artist is given a page with reproductions of their work from that era and information and reviews about their work excerpted from publications of the same period.
Author Kienholz, who was married for a time to artist Edward Kienholz and worked the front desk at the legendary Ferus Gallery, has made it her mission to spread the word about art in Los Angeles. In 1980, she founded the California/International Arts Foundation to increase the visibility of LA art and artists worldwide. The Foundation has organized exhibitions in 56 museums and 23 countries, including the 2006 exhibition Los Angeles: 1955-1985 at the Centre Pompidou in Paris.
Besides finding L.A. Rising an invaluable reference tool that every visual arts professional should have, it is also a lush and highly entertaining stroll down memory lane for anyone who has watched the L.A. art scene. There are the big names that you would expect: David Hockney, John Baldessari, and Judy Chicago. There are artists you've never heard of, but would like to know more about. There are artists you've forgotten and are happy to rediscover. There are friends, teachers, colleagues and more -- some living, some sadly departed. Most of all, there is the richness of the art, which includes every medium from ceramics to performance, printmaking to installation, photography to sculpture.
The one thing I found missing from L.A. Rising is biographical information about the artists. The text, which is culled from newspaper and magazine articles referencing each artist, while interesting, doesn't go far enough. I realize what a tall order that is, and hope that in some future edition it will be rectified.
Meanwhile, thank you Lyn Kienholz for this beautiful, informative, must-have art book.
News & Events at Offramp Gallery
Thanks to everyone who came out on Sunday for Anita Bunn artist's talk. Congratulations to Anita, whose show, The Sun Tells Quite Another Story, was an all-around success!
Anita Bunn, artist's talk at Offramp Gallery 2/6/11 |
Anita Bunn, artist's talk at Offramp Gallery 2/6/11 |
Upcoming
February 20 - March 20, 2011
Opening Reception: Sunday, February 20, 2-5pm
Offramp Gallery is pleased to present a solo exhibition, Theodore Svenningsen: Truth and Self Deception from February 20 - March 20, 2011. There will be an opening reception on Sunday, February 20, from 2-5pm.
In Svenningsen's text pieces the work exists at a place where narrative meanings of words can give way to being seen solely as aesthetic objects. The work explores this conflation of the narrative and the aesthetic. Some of the pieces are self-referential. These pieces investigate, critically, the underpinnings of theory-driven art. Some explore the interrelationships between individual persons and the larger group, and look at the difficulties and inabilities of these certain individuals to fit in. Logic symbolism forms the bases of the aesthetic element in a number of the pieces.
Click here for more information
Opening Reception: Sunday, February 20, 2-5pm
Offramp Gallery is pleased to present a solo exhibition, Theodore Svenningsen: Truth and Self Deception from February 20 - March 20, 2011. There will be an opening reception on Sunday, February 20, from 2-5pm.
In Svenningsen's text pieces the work exists at a place where narrative meanings of words can give way to being seen solely as aesthetic objects. The work explores this conflation of the narrative and the aesthetic. Some of the pieces are self-referential. These pieces investigate, critically, the underpinnings of theory-driven art. Some explore the interrelationships between individual persons and the larger group, and look at the difficulties and inabilities of these certain individuals to fit in. Logic symbolism forms the bases of the aesthetic element in a number of the pieces.
Click here for more information
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