Too harsh? Maybe, but artists' statements are a gold mine for someone like me who loves to make fun of the art world. (Note To Self: You should really consider the consequences of biting the hand that feeds you.)
Let's look at the actual process of writing an artist's statement. The two videos below by Jörg Colberg and Charlotte Young, respectively, should take any of the mystery out of it.
" Her paintings demonstrate how life extends beyond its own subjective limits and often tells a story about the effects of global cultural interaction over the latter half of the twentieth century. It challenges the binaries we continually reconstruct between Self and Other, between our own ‘cannibal’ and ‘civilized’ selves. By studying sign processes, signification and communication, she makes works that can be seen as self-portraits. Sometimes they appear idiosyncratic and quirky, at other times, they seem typical by-products of American superabundance and marketing."
To end my rant, I would like to turn to artist William Powhida and his 2009 polemic, Artists Statement (No One Here Gets Out Alive), (see below) in which he brilliantly sums up what all artists are really trying to say:
"Lacking any other means for social mobility, I have embraced the COMPETITIVE ethos of CAPITALISM and make art to DESTROY my competition so that I can LIVE forever, make MILLION$, drive an expensive EUROPEAN sedan with leather seats, FLY FIRST-CLASS, eat at fucking 5-star restaurants, marry an Italian porn star, design Louis Vuitton handbags, make 3-hour movies with NO PLOT, edition diamond encrusted GOLD dildos, and have a retrospective that TRAVELS THE GLOBE to become the GREATEST ARTIST to EVER exist PERIOD"
Q.E.D.
William Powhida, “Artists Statement (No One Here Gets Out Alive)” (2009), graphite and colored pencil on paper, 18″x15″ (Image courtesy the artist and Charlie James Gallery)
Upcoming at Offramp Gallery
Susan Sironi: Forget Me Not
Closing Reception & Artist's Talk (3pm)
Myron Kaufman: That's Life
Skip Snow's Pity Party
